Our Views about the "White Sun" and the "Red Sun;
也谈“白日”与“红日”
A Strange Woman s Letter:Zweig s "daydream";
激情中的自由——茨威格的“白日梦”——从《一个陌生女人的来信》说起
And Pearl is the daydream built for the public as well as the writer himself,reflecting the writer s longings for a more beaut.
作者认为,根据弗洛伊德的“白日梦”理论与创作家的“自我分裂”的观点,霍桑将自己精神生活中矛盾冲突的几个方面体现在丁梅斯德、海斯特和帕儿身上:丁梅斯德体现了作者的迷茫和彷徨;海斯特代表了一个思索的霍桑、一个叛逆的霍桑、一个无奈的霍桑;帕儿表现了作者对美好未来的渴望,体现了作者对自然人性和人类真诚情感的向往,是作者构建的一个属于自己,也属于大众的“白日梦”。
Psychologist Freud believes that a writer s creation and a mental patient s daydream are of the same psychological mechanism.
精神分析学家弗洛伊德认为,作家的创作与精神病的白日梦有着相同的心理机制,都是潜意识的显像、是现实生活缺失的补偿。
The author points out that the experience of the protagonist in Shanghai is only a day dream ,which reflects the bewilderment of her loss of native place and incompetence of her loss of the individual value in the disguise of female selfe-disc.
筱月桂的“上海王”经历只是“女性白日梦”一场,在“原乡”的模式下渗透出的也只是失乡的困惑,在女性自我发现的旗帜下却遮蔽了作为人的个体价值。
Proceeding from human nature,this paper probes into the special characteristics of (O Neill s) later plays in exposing the phenomenon of man s daydreaming.
从人性的角度来探讨奥尼尔后期戏剧的创作主题 ,像白日梦这一精神现象 ,在奥尼尔的创作中具有独特的表现及深刻的思想意
The author tries to discourse upon what day-dream means to the characters in the Iceman Co.
本文作者试图从尼采悲剧思想中的日神精神和酒神精神在《送冰的人来了》中的体现 ,具体通过阐述代表着现实世界的希基到酒店之前之后 ,以及最终离开酒店后的三个阶段即日神精神和酒神精神被全力张扬、被扼杀及最终获得新生的过程 ,论证白日梦赋予剧中人物在这个荒谬、残酷的世界中生存的意义。
Why did she used to write these day-dreams? Is there anything else shared between the author and the reader except the obvious wish-fulfillment? After review Qiongyao s living history and her works, we discover that her early experiences and the relationship with somebody important in her life influence the.
为何琼瑶习惯于写作这些白日梦?读者和作者共同分享的,除了展现于外的愿望满足,是否另有其他?考察琼瑶的生活史及其作品发现,作家的早年经历以及与生活中重要人物的关系,影响着她的作品的主题、结构、人物形象,琼瑶的母亲,同时作为女儿仇视和认同的人,作为规则的给予者和欲望的对象,在女儿的人格形成过程,在女儿的荣耀与隐痛中扮演着举足轻重的作用。
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