This text will put a question to the embarrassed confrontation between humanitarianism and sexual consciousness through analyzing the novel A Peaceful Daybreak Be Here.
本文从小说《这里的黎明静悄悄……》入手,借助对小说文本的剖析,一路追问抽象模拟的人道主义理论在文艺作品中遭遇具体化、个性化、集中化处理时,不得不直面的尴尬:创作主体由于无法超越的性别定位,使人道主义与性别意识的话语对接在艺术层面造成断裂的遗憾。
The synthesis statement The Anecdote on Western Route and The Very Quiet Dawn over Here;
军事文苑中的两朵奇葩——综论《这里的黎明静悄悄》和《西线轶事》
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