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Enrichment features of oil,gas,coal and uranium in Ordos Basin;

鄂尔多斯盆地油、气、煤、铀富集特征分析

This article annotates Fengshui's "gas", "pulse" and "shape" from the point of view of (science), and it also narrates the close relation of Fengshui and eco-environmental protection.

通过对风水学的再研究,发现在很早以前的风水学中就有可持续发展的思想,本文从科学的角度对风水学中的"气","脉","形"进行重新诠释,并叙述了风水与生态环境保护密不可分的关系。

After bacterial degradation, the gas generation rate of Chlorella increased by 209%, and the value of hydrocarbon gases to non-hydrocarbon gases was doubled.

本文对比研究了枯草杆菌降解作用前后小球藻热模拟生成的气、油和类干酪根的特征。

Study of theory of extinguishing of water fog and air;

超细气水雾灭火机理研究

The surface exchanges of methylmercury at air soil and air water were studied by using simulated experiments and field measurements.

通过模拟实验和野外实测，对甲基汞在大气－水和大气－土壤的界面交换进行了初步研究。

This paper deals with a new optimal method of coordinating air and fuel flow rate with a view to attaining efficient combustion and.

从理论和实践上论述了工业锅炉最佳风煤(或油、气)配合以实现经济燃烧与节能的新观点和新方法。

Elements Network Structure——embody "Qi" as the intermediary Principle of Induction;

五行网络结构——体现以“气”为中介的感应原理

Pathogenic Changes of Qi Blood and Phlegm are Treated by the Way of Treating the Stomach and Spleen;

气血津液病变治从脾胃论

Discussion on treatment of lung distension from the relationship between phlegm and Qi;

从痰与气的关系论肺胀治疗

Kang Youwei was able to start with "showing Yuan by spirit","showing Yuan by thing" and "showing Yuan by humanity",the three dimensions.

康有为通过"以气显元"、"以物显元"和"以仁显元"三个维度的理论展开,最终在"以元解人"的思想高度上为近代人的自由、平等、博爱的价值原则奠定了形而上之据,在传统儒学与近代西方价值观的相互融合中实现了近代人道观对传统人道观的超越,彰显了近代中国人的观念变革自身演进的内在动因和内在生成的思想资源。

The poem creation was started and developed on the basis of a dynamic three-dimensional structure: humans "spirit",the artistic "image" a.

从根本上讲,高丽诗学范畴的样态与中国古典诗学大体一致,也是在人类学意义上的"气"、艺术学意义上的"象"及哲学意义上的"道(风流)"所构成的三维动态的人文结构体系中展开与演绎的。

As a literati and officialdom in North Song Dynasty,Sushi dedicated his life to the struggle for the advantages for people with the fearless spirit,and shouted loudly with the directed opinion.

作为北宋士大夫,苏轼将“利民”定为终生之志,并以迈往之气实践之,以直言抗争呐喊之,从而形成他独特的高风亮节。

The perception of vital energy of the ancient Chinese is characteristic of the perfection of arts and worldly ideal,an aesthetic .

气的观念是中国传统文化的重要特征之一。

Harmony in ancient Chinese literary criticism is a complete aesthetic structure composed of such categories as words,meaning,imagery,spirit,rhyme,vital energy,language,genre,principle,delight,taste,and interest,in which there is a perfect combination between language and genre,word and meaning,energy and sound,good and beauty,activity and stillness,and between human and nature.

中国古代文论之“和”是由言、意、象、神、韵、气、文、体、法、趣、味、兴等范畴组成的一个文体和妙、言意和美、气韵和谐、美善和合的天人合一、动静谐和的完整的审美结构;“和”并不是事物本身的概括,而是事物间关系的一种谐和状态的描述,是多种内在关系所构成的文学审美至境的表达。

Jian an Literature advocated vital energy and vigor.

主“气”、尚“风骨”的建安文学,它的精神实质是在张扬某种“力”,但这种张扬并不是文人个人的主观愿望和兴趣。

Qi and the Characteristics of Ancient Chinese Literary Criticism;

从“气”范畴看中国古代文论观念特色

The Theory of Qi and Chinese Classical Literary Aesthetics;

“气”与中国古典文艺美学